Blueforms begin as photographs of clear blue skies, and are pushed in editing until they degrade. At their breaking point, patterns start to appear: ripples, waves, grains, and the flaws of the camera sensor itself.
A thing can only be pushed so far before it breaks: an image, a person, a world. I am fascinated by those breaking points, and by what happens when a thing is forced to become something other than itself to continue to exist. When something is past its limit, is the result its true nature, or something else entirely? And when it is the real sky that is pushed further than it can tolerate, what will the consequences be?
prints.
Lucia 12-color archival pigment print on Hahnemühle Baryta Satin, printed by the artist
36” x 36” on 40” x 40” sheet
Edition of 5 + 1 A/P
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